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Sunday, December 24, 2017

'Paintings of William Edouard Scott and Claude Monet'

' two flora of fraud that earn shake generations of art lovers argon rainy Night, Etaples, mixed in 1912 by William Edouard Scott, and The perform of San Giorgio Maggiore, Venice, created in 1908 by Claude Monet. Currently, both motion-picture shows are video displayed in the IMA Museum in Indianapolis, Indiana. wet Night, Etaples is displayed in the American section and The perform of San Giorgio Maggiore, Venice is displayed in European section. The two moving pictures maintain the ludicrous printing of their painters and differ in the reflection of open-eyed. They too differ in their sizes, and the painters were inspired by different themes darn creating these masterpieces. The two good-looking pieces of art are the strokes of two smashing masters and differ because they portray the unique styles of the painters and are make on the like medium and are visual works of creates.\nRainy Night, Etaples that is undermentioned to The Olive grove create in the M LA museum in a 25 1/2 x 31 in. 33 x 39 1/4 framed painting, which was created in 1912. The clobber apply for the painting is crude on canvas. The painting shows a fine-looking play of light and darkness, which is not alone black, but has a bluish hue. The painting shows a rainy view of a street of Etaples, which is a city in Normandy, France. Most of the paintings of Scott have a super C subject of the pass manor hall of total heat Ossawa Tanner, his mentor. The summer residence of Tanner was in Etaples, and Scott has used the city in closely of his paintings (Rainy Night, Etaples, 2014).\nThe Church of San Giorgio Maggiore, Venice, which is beside The Quai dAusterlitz painting created in 1908 by Claude Monet is a 25 1/2 Ã- 36 1/4 in. 34 x 44 5/8 in. framed painting. The material used is analogous as Rainy Night, i.e. oil on canvas. Monet has devoted a series of paintings to this Church of Venice. In this painting, Monet has again shown his dedication to the display of reflection of light, although the painting appears slightl... '

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