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While visiting Jo Ann Calliss Cake Hat Pillow let out at the Center for Creative Photography I was constantly in awe of her far out, surreal photographs. I have always enjoyed looked at art, but going to interpret it for an assignment was a new experience. with her black and white, and color pieces, I saw images that could be interpreted in several ways. The freedom surrealists have as artists, and in this case, a lensman is endless and also captivating to all the viewers, no matter if they desire them or not. Surrealism is defined as a 20th century literary and artistic movement that attempts to express the workings of the subconscious and is characterized by raving mad imagery and incongruous juxtaposition of subject matter by the American Heritage College Dictionary. Callis uses this method of photography to portray her dreams and make them real by recreating them using humans, objects and different moods illustrated by the photos lighting. Her photographs often argon themed in either theatricality or domesticity. Many of her photos are of open house hold objects, or include a curtain with a stage setting giving the viewer the feeling of being in the audience rather than just looking at the photo. It is apparent in her work that the mood of the photos is controlled largely by whether she photographs certain objects or quite a little in color in black and white. To me, her black and white photographs such(prenominal) as her untitled piece with a person made into a write out and a lace bed spread on top. The characterisation seems to have not been taken in an actual bed means, because the rest of the room is black and seems to go on for eternity. I thought it symbolized a demolition and a burial of some maven who will always be in their memories but never physically with them again. In the picture with the maam lying face down and wild dark hair with beets glide path out of it gave me a different vibe. As apposed to eternal darkness in the other p hoto, there was light shadowed across her back and the bed as if it were filtering through blinds. The slightest change in lighting really changed my upstanding perception of the mood of the picture. The Cake Hat Pillow picture was one of the last ones I saw. It was in a inlet of the exhibit with other triplet photos.